wasbornrunning: (sidetilt kewl scifi guy)
Across the whole of the galaxy people wondered: “What is Earth’s secret?” For more than a year now, no one had gotten away with a world domination plot, a con job, or even an accidental crash-landing on Earth.

Aside from being the destination of choice for aliens looking for an unsuspecting planet to break down into scrap parts, Earth was a lovely little ocean-covered planet. It had movie theatres and edible ball-bearings. It had internet and a few continents that no one knew quite what to do with, but agreed were an excellent source of ice anyway.

Only a few people knew the truth of Earth’s late success in circumventing alien invasion. These people worked in very secret organizations with names like UNIT and Torchwood, and of even those people, only Sarah-Jane Smith and her friends knew the true extent of the story behind their secret weapon.

The real brain behind Earth’s war on alien invasion was her son, one-year-old Luke Smith.

The Case of the Boy Genius )


Word count: 700-something words.
Author's note: I DID SAY I WOULD WRITE THIS. Ignore that it took me a year or something.
wasbornrunning: (wibble)

He’s in Sarah Jane’s attic. He has no reason to doubt it, because even though he can’t specifically remember leaving Milliways, or how he got here, he’s here and it’s all just as he remembers.

 

“Sarah Jane!” he calls out. “Mum! Mr. Smith? Clyde? Maria?”

 

There’s a floorboard, just a few steps away from Sarah Jane’s worktable. It’s never made a sound before, but now it sque – e - eaks as he steps across it. “Come in, Luke,” Mr. Smith says. And Luke is drawn inevitably forward, as he was and as he always will be in his memories.

 

‘Where’s Sarah Jane?” he asks, wary. (He doesn’t know yet. He can’t. He does. It’s happened before.)

 

‘She left.”

 

something for you

 

(the missing words hang in the air, gentle and insistent like an itch in his mind that refuses to go away. This isn’t how it happened. This isn’t-)

 

“I don’t understand,” Luke says, quickly. “Where did she go?”

 

-And then the room shifts, and he’s facing a man instead, not Mr. Smith, not anyone he’s ever met before. He’s holding the MITRE headset, absent-mindedly tossing it from hand to hand, catching it. “You’re the genius kid, aren’t you?” he asks. “Figure it out.”

 

“I don’t understa-“

 

The man throws the headset at him. Luke reaches out to catch it, just a second too late. “So how’d it feel, kid? Having your world pulled from under you?”

 

The room spins, and then it’s filled with balloons and streamers and party hats. There’s a banner stretched out across the wall: Baby’s First Betrayal!!!, it says. “He’s a computer. He was doing what he was programmed to do-”

 

“And you trusted him,” the man says, advancing on him. “He was always there, just like your Mom and Maria. You never, not even once, doubted him. And then it turned out he was lying to everyone, lying to you since hour one. Doesn’t it just terrify you?”

 

He stumbles back, and the floor gives under him a little. He can’t look away. “Yes.”

 

The word echoes         echoes            echoes                 echoes                             echoes, and his head hurts, and the floor’s stopped holding his weight, it’s just not there anymore; he’s falling through space, faster and faster towards the ground-

 

-And, still standing calmly on the floor of the attic, the man. “Just think how much it’s gonna hurt the next time.”

 

He wakes up just before impact.

wasbornrunning: (scientific advisor)
There are some universal truths about areas used as infirmaries: they tend to be white; smell like disinfectant; involve lots of waiting; bad food; and we mentioned lots of waiting, right?

Fortunately, Luke gets a room to himself. And by 'to himself', the narration at the moment means 'Luke and his shadow'.

Who did, in fact, get a cup of tea. Thank you, unnamed UNIT person.

Luke did not get a cup of tea. You'd think it would help with detox, but no one thought of it.

._.
wasbornrunning: (scientific advisor)
The elder Luke's room, being newly occupied, has not had time to collect much. In fact, its main indication of occupancy is the Luke Lump on the bed.

Said Lump is, in fact, awake, in that he is semi-conscious and could be roused to a state of 'more conscious', if necessary.
wasbornrunning: (satisfied smile)
NEW SJA TODAY NEW SJA TODAY!


*GLEES INSANELY*





P.S. [livejournal.com profile] clydannica-mun, you about?
wasbornrunning: (lopsided smile)
Photobucket Photobucket Photobucket Photobucket

Photobucket Photobucket Photobucket Photobucket

Photobucket


*can quite possibly make more, too >>*
wasbornrunning: (head down)

Once upon a time, there was a boy called Luke Smith.
 
                                    “Where is Luke? Where is my son?”
 
                        “The Bane never came to Earth in the timeline that I have created. Luke Smith n   e    v    e     r      e    x    i    s    t    e    d.”
 
Once upon a time, there was a boy
 
                                                             “But people who don’t exist,they end up here, don’t they, in                      
 t             h             i              s  
nowhereland?
 
W     h    e     r    e     i      s      h     e      ?
 
                I demand to see my s   o    n!
 
Once upon a time
 
                                    H   e    is lost. In the f   o   r   g   o t t   e n places. Even further
 
o
                           u
                                                           t
                     than you.”
 
 
Once
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
How do you do?
 
         I’m Luke Smith.
wasbornrunning: (caught/investigating)
Go watch the show.







Seriously.
wasbornrunning: (caught/investigating)
“The Lavender Lawns Rest Home is apparently being haunted by a nun. See if there’s anything to support the possibility.”
“Of… a haunting?”
“Just run the check, Mr. Smith.”

--

“So, what’s going on?”
“Some old biddy’s given Luke an alien gizmo.”
“She said the nun wasn’t a ghost, and now it’s looking for the talisman.”
“Well, I’d better go back and talk to Mrs. Nelson-Stanley.”

--

“She’s always going on about monsters and spacemen.”
“She’s seen Sontarans.”
“The silliest race in the galaxy, that’s what Edward used to say. Like a huge potato. Quite nasty blighters they were, the same.”
“You shouldn’t encourage her, Ms. Smith, she’ll go on and on about monsters, and especially the Gorgon.”

--

“’There were three Gorgons, the hideous daughters of Phorkys, the sea god, and Keto.’”
“Sthenno, Euryale, and Medusa, that’s right. In some versions of the story there was just one: Medusa. And she wasn’t always ugly. She was a beautiful nymph with golden hair, but Poseidon fell in love with her and Athena turned her into a Gorgon.”

--

“Listen, Luke. When weirdo nuns turn up on your doorstep asking about freaky glowing alien gizmos, one thing you never do is tell them you’ve got one.”

--

“It’s Luke! He’s been nabbed by a nun!”
What?!
“I warned him not to talk to that freaky nun! I tried to stop them but it just happened so fast, they pulled up and BAM!”
wasbornrunning: (Default)
School was... well, school. Another day packed full with social interaction, social mistakes, and general social confusion. And homework, which he began upon return to Bannerman Road. Given that the weather is on the warm side, he left his window open.

Which is why, in the middle of correcting his math homework*, he is distracted by a Strange and Unusual Sound coming from the yard, and seeks out the nearest parental figure for consultation.

"Mum?"



* The narration would like it known that when it is said, 'correcting his math homework', it is not meant 'correcting his answers'. It is meant 'correcting his math homework'. Problem twelve was fallacious. Thank you.
wasbornrunning: (Default)
It was... hard.

Hard to pay attention, to make sense of anything. He was distantly aware of shapes, people, talking and worrying and dragging him around a room, but they were behind a cloud, lost in a fog. He thought he could remember their names- Sarah Jane Smith, Maria Jackson, Clyde Langer- but they slipped and slid in his head.

“You’re okay,” someone was saying.

“I don’t think he is,” another pointed out.

The voices faded in and out, slurred and blurred until they were practically incomprehensible. His head hurt.

“No,” someone said, “Luke’s better at maths, like you said, problems. Like putting two and two together.”

Pathways opened, words made sense, the fog cleared, just for a minute. “Four,” he said.

Before he could slip back into the fog again, the woman (Sarah Jane, his Mum) asked, “What’s the square root of a hundred and twenty-four?”

“Eleven point one three five five two eight seven two five six six zero zero four three.” The fog blew away a little bit more, and he smiled at his friends (Maria, Clyde) shakily. Beyond them, he glimpsed shadowy figures holding swords, and a cold fist of someone else’s fear slammed into his stomach. He fell (knees buckled, hands holding him up) back into the fog.

“Forty-one thousand, seven hundred and fifty-nine divided by eight hundred and eighty-three.”

It was harder again, his head pounding in his ears, but he struggled past it. “Forty-seven point… two nine… one… two…” It wasn’t right, he knew it wasn’t right, but he blurted out numbers anyway, hoping that maybe he could find his way back through them anyway, follow them like a trail of breadcrumbs, but he just got lost and more lost.

Dimly, he was aware of his face going numb, of words not his own issuing from his mouth. ”Don’t think that will save him for long,” he did and didn’t say. Someone laughed, the sound ripping violently from him. "Now get me out of here if you want to save him." His hand (so cold he couldn’t feel it anymore) pointed to the exit, beyond the soldiers. "Get me away from them."

"Give him back," the woman nearest him said. "Give him back now."

"Never," he snarled.

"Geography," the younger one said. "What's the capital of- of Brazil?"

The new facts gave him something to fight with, something to warm his skin. He wrenched control of his mouth back, and said, "Brasilia, of course."

They kept talking, and he thought hard about all many facts he'd read about Brasilia, practically shouting, it was that loud. He barely heard his next assignment, "Give me the value of pi to as many decimal places as you can," and he rattled it off as quickly as he could, before anyone else could use his mouth. "Three point- one four, one five nine..."

The boy (Clyde) asked, "Is that tricky?" and he took time from the numbers to inform him, "It's been calculated to over... a thousand billion decimal places. It goes on forever. Two six five, three five..."

As he talked, he was dragged through rooms, slowly growing more and more confident as he talked, needing less support to hold himself up, able to process more of what was going on, as long as he made the numbers the most important thing.

"He's been possessed," Clyde was saying. "Taken over!"

"Yea, thanks for that," Maria replied.

"That mark across his face- it's like on the screen."

"The thirteenth stone," Sarah Jane said. "The King's stone. Was there a warrior inside that? I didn't see it break open, did you?"

His mind was slipping again, his mouth going in and out of his control. "When the time is right. Soon, very soon, I shall emerge to rule- again! The pathetic forces three, two... nine, seven... of the sentries, my seven, three... one... cannot stop me now."

It was too much work fighting for control, he was barely aware of his surroundings. They'd moved, and people were talking around him, about what to do, what about the warriors, "Not very bright, are they?" And a thought, cold and clear and hard, took over again. "They are soldiers, no more." One two sero nine zero nine one "It takes more than a simple psycho-molecular prison to keep Ravage bound."

It was too much, he realised, holding onto control and his thoughts and the same time. With his last piece of strength, he gasped out, "I can't. I'm sorry," and curled up in his own mind, hiding from the fist of Ravage's mind that was trying to crush him.

"But you must have a name. If I'm Sarah Jane, then you are..."
"All I know is I had to run."


"They thought they could imprison me! Trapped for all eternity inside the stone. Twelve warriors of Amital to watch over my prison." He laughed, triumphant. "It took the combined armies of the Republic to defeat me. And they thought a handful of sentries could stand guard, and I would not escape."

"But you can talk. Someone must have taught you that. Who was it?"
"Everyone."


"Who are you?" the young girl asked, her voice quivering. "And what's happened to Luke?"

"What does that mean, 'everyone'?"
"I am... everyone."


"I am Ravage! I am the might and the power of Amital, I am its future and its past, its anointed king and protector, ruler and sovereign."

"Ravage," the male said. "I'm guessing they don't have elections where you're from."

"And then I had to run. A girl came- Maria. And then, you."

"I siezed the throne by force of arms. I slew those who opposed me. I cleansed the Senate and went to war against our enemies, I was the greatest leader Amital has ever known!"

"And Luke, my Luke, what've you done with him?"

"Well, think back. Before you ran, what can you remember?"
"I was born running."


"He struggles to be free within his own mind. I can feel him stirring, resisting, but soon he will sleep forever."

The eldest one lunged towards him; he easily smacked her aside, even with the diminished strength of his body. "What's eleven times fifty-seven point nine-nine-six?" one asked.

six, three "You-" seven point nine "bother me with-" five six "trivia."

"Answer the question. Luke! Answer the question!"

Like slogging through quicksand, he answered, "Six... three... seven.. point nine... five, six."

"The boy has more spark, more soul than I expected."

"That's why you chose him, isn't it? Something to do with Luke's mind, his background!"

"New, unformed, and impressionable. Soon, he will be subsumed." A door burst open. The cavalry was almost here.

"You were imprisoned inside the stone, this stone."

"The warriors sacrificed themselves, gave up their remaining life force to keep me imprisoned. Moble, heroic, but doomed to failure. The warriors were arranged to focus their energy on the stone where I was held. Over the years, their power depleted, and with the crude application of technology, mine grew. It flowed along the lines of focus, transferred energy from the warrior to me."

"But- you're still trapped. You, the real you, is still inside that stone. We can see him."

He turned, regarded his prison of some several centuries. "My body no more. It may be trapped, but my mind is free! Free to inhabit this mind, this new, unformed, impressionable mind. Your minds would have expelled me in an instant, I would have nowhere to exist, my mind would have dissipated, faded and died. But here! Here, I found a ready template, still taking on the personality it will become. And now, it will be my personality. I have waited so long for a mind like this to come to me."

The useless prattle and the marching soldiers brought his attention back from his triumph. "You will help me escape the warriors. You will get me awaay from here."

"No chance. I'm not saving you."

"Then you condemn your Luke to death. That is how they will try to prevent my escape, by destroying this new body I have taken." The first of the warriors entered the room, prepared his sword. "To keep me imprisoned, they will kill your friend. Your only chance of ever saving him is to help me escape."

"...What was pi again?"

"I'm feeling anxious."
"So am I."
"But you've been to school before."
"Not this one."


Luke- hesitantly, but surely- reached out again, regained control of his mouth, pressed back against the mind trying to envelope his own, stuttering out the numbers past Ravage's cries of fury.

"You can do it!" someone was saying. "We just need to get away from these warriors, but you can do it! You can drive him out of your mind, I know you can. We'll help you." Disantly, he heard the clang of metal against metal, and he was hauled past a fight between one of the warriors and Clyde.

"Clyde. New, too. Probably be hanging around with you til I meet some cooler people."
"How do you do? I'm Luke Smith."
"...Okay, that was a joke, now I mean it."


At some point, he'd lost his support and dropped to his knees, hands held over his head in a useless attempt to block Ravage's voice out.

"He can do it!" someone cried out desperately. "I'm telling you, he can do it! You don't need to hurt him! He just needs time!"

"You have to help him, not hurt him!" another voice yelled, voice cracking dangerously. "Can't you see that?"

The thirteenth stone pulsed in time with his head. Someone dropped to the floor beside him, arms pulling him into an embrace. "I can't do it for you. I'm sorry, but I can't."

"What have they done to you?"
"I knew I had to get away."
"Yeah, well. That goes for all of us."


"This is up to you," she continued. "I have to let go, I have to let you be yourself."

"How're you gonna adopt him, then? I mean... you need forms and things. Who're you gonna say his real mum is, the Bane mother?"
"Mr. Smith sorted that. Officially done and dusted. All he needs now is a name."


He threw his head back and shouted to be heard over the swords and the fear and the King. "RAVAGE!"

"You can choose your own."
"I like yours."
"Maybe not."


"GET OUT OF ME, RAVAGE!"

"Luke!" (Sarah Jane, Mum) "Luke, you're still there! Come on, Luke, you can do it!"

Over everything, he announced louder: "I- AM- LUKE- SMITH!"

"NO! I AM RAVAGE! THIS- BODY- IS MINE! YOU CANNOT EXPELL MY MIND FROM IT! I WOULD- DIE!"
"How about... Jack? Josh? Nathan?"
"I WON'T LET YOU!"
"Harry? Alistair? Luke?"
"YOU CAN'T STOP ME!"

"I like Luke."

"I-"
"If you like Luke, I like Luke.
"Am-"
"That's the name I was always going to choose if I ever had kids. Except it has. Luke Smith. You're a mum!"
"LUKE! I have my own life, my own mind!"
"I am."
"Not yet! It is incomplete, unformed, mine for the taking!"

He shook his head desperately. "Go back to your stone!"

"I cannot return! I would die if attempted it, my mind scattered and lost! So I shall have your body, it will be mine!"

"Help- me!"

The arms around him- he'd almost forgotten, almost stopped feeling them- tightened. "I can't. I'm so sorry, but I can't. I'm here, I'll always be here, but you'll have to do this yourself, be yourself."
"But what if I make more mistakes?"
"Myself?"
"Then you'll never make the same ones again."
"Yourself. You don't know who that is."
"How do you do? I'm Luke Smith."
"I do I am- Luke- Smith." He stood, a public declaration of himself, defiance against Ravage and the warriors standing by. "I am Luke. I know who I am. You can't take that away from me. I have my own life. My own friends. My mother."

And Ravage-

-Was gone.

The pressure in his mind ceased, and he almost stumbled to his knees again with relief. The warriors lowered their swords and knelt to him, slowly turning back to stone.

"He's dead," Clyde whispered. "The stone- the light's gone out. Is Luke-"

"He's-" Sarah Jane started, but Luke finished for her. "I'm fine, thanks, just... tired."
wasbornrunning: (head down)
"The system will use the data to produce a map of each stone, like a climate chart or a relief map, with different colours showing the different types of material that it's composed of. The main computer server is programmed to render the stones, in order, from here. Then, when that one's done, it will move onto the next, and so on, until they're all mapped and displayed and we can compare them and see what they're made of."

---

“The yellow is sandstone,” the Professor explained, “blue: granite, orange for quartz…” Her voice faded out as she watched the screen, a black patch growing amongst the colours. “That’s odd.”

“What is?” Sarah Jane asked.

“Black isn’t defined. The computer uses it for material it hasn’t been programmed with, for anything it doesn’t… recognize.”

A shape emerged in the black slowly, distinct, defined. Mr. Bradbury, the teacher in charge of the trip wandered in and out again to give them a five-minute warning, but they were all too focused on the screen, almost all filled now. All except the centre, still black, a dark silhouette.

“It looks-“ the Professor broke off and gave a nervous laugh. “Well, it looks a bit like a figure!”

“It looks,” Maria agreed, “very like a figure.”

“It is a figure,” Sarah Jane said. “Crouching down, like he’s about to run a race or something.”

The next screen flickered into life, the outline of the second stone traced across it, beginning to fill with vibrant colour like the first. And again, the middle of the swirl was utter blackness.

“It’s a sentry.” Clyde jumped up from his chair and went to the screen. “He’s crouched down, like you said, ready for action! On your marks- Look! This could be a helmet!” He traced his finger along the top of the shape. “And this point here- that’s a sword.”

The rest of the shapes filled in- each with a crouching sentry in the middle, each different and distinct. As one, the group turned to face the final, lone monitor. The thirteenth stone began to take shape on the screen. No one spoke as the same blackness formed in the centre, only this one was different. There was a texture to it, grays and browns, like folds in a cloak that draped around the figure that stood tall and proud inside the ancient monolith. The face etched in slowly, shadowed, dark, angry, twisted into an expression of agony and fear, screaming. They all took a step back-

Except Luke.

He stood to the side of the screen, still staring intently, his face blank.

“Luke?” Sarah Jane said. He glanced at her, but without any sign of interest or recognition, then looked back at the figure on the screen.

And the dark silhouette of the King turned slightly to look back at Luke.

Sarah Jane gasped, Clyde swore, Maria said something too soft to hear, and the Professor shrieked, her hand to her mouth. The other twelve screens blanked out, and Luke collapsed suddenly to his knees. The lights went off, and the thirteenth screen flickered, the image trembling before it, too, vanished.

After a moment, the emergency lights came on. Sarah Jane ran to Luke, pulling him to his feet. His face was still blank, and there was a shadow across it. She turned his head slightly to get a better look at him, and the shadow remained unchanged, defying the light that shone full red on his face. The same shape as the King from the screen, imprinted across his face. A new mouth, overlaid over Luke’s, twisted into a vicious smile. Only now, it wasn’t screaming.

It was laughing.

Sarah Jane and Maria hauled Luke towards the door, and out into the main area containing the stones. As they moved towards the exit, the shadow on his face deepend, twisted and turned, becoming more defined.

Clyde marched on ahead, stopping every few steps to let them catch up, not close enough to see properly. “Hey, what’s up with you, Luke?” He turned to Maria. “Has he got a problem?”

“No,” Maria answered, gritting her teeth, “That’s why we’re helping him.”

Luke stumbled and fell, pulling Maria and Sarah Jane with him. As Clyde hurried back to help, the main doors slammed shut, and the emergency lights flickered on the walls. like torches in some medieval castle.

“We need to get out of here,” Sarah decided, “We need to get help for Luke.”

Maria thumbed her mobile. “There’s no signal. So. Fire exit?”

Clyde stared past Luke and Maria and Sarah Jane, back towards the stones that made up the semicircle in the middle of the dome. He pointed to it and said, voice strangely tight and nervous, “That- That way. But- I don’t think that helps.”

The stones were moving. The whole surface of the monolith seemed to shimmer and pulse. Then, with a loud crack like a gunshot, the nearest stone shattered. A dark line split across the surface of the stone, widened, darkening as the surface crumbled away. A clenched fist punched through black as coal, but shiny, like it’d been dipped in oil. The rest of the rock crumbled and fell, revealing the sentry within. As he straightened up, another stone shattered, and another, until all the stones had released the men within them.

“Guess we should have realized,” Clyde said.

“We should have put two and two together,” Sarah agreed.

“Four,” another voice said.



{{The above has been snipped and adjusted and re-written a bit, but is still essentially Justin Richards'.}
wasbornrunning: (caught/investigating)
"You know how ground-penetrating radar can reveal the rock strata composition below the ground at a site to help you find ancient earth works and so on?"

"Yes."

"Well, we've managed to do something similar, but on a smaller scale. Actually scanning into these stones themselves. We have a computer suite, and I've dedicated a machine to each of the stones' scanes. They should be completing the analysis and ready to show us just what these stones are made of just in a few minutes."

---

All but one of the computer screens were arranged around the curved wall of one side of the room. The other screen was against the opposite wall, facing them. Each screen showed a progress ribbon inching its way across. Each was almost at the end, ready to display its results. There were thirteen screens in all.

"It's the same," Sarah Jane said. "Exactly the same!"

"Same as what?" Clyde asked. "Oh, don't tell me you've got a set-up like this in your cellar."

"You don't want to know what I have in my cellar," she told him.

"You're right," Luke said, turning slowly to look all around the room. "Exactly the same."

"Oh, the screens are arranged just like the stones out in the main dome," Maria realised.

The Professor that had let them into the room smiled at their astonishment. "That's right!" She tapped at a keyboard, and the ribbon strips disappeared to be replaced by digital photographs of the stones themselves.

"Why go to all that trouble?" Sarah Jane asked.

"We feed the data on each stone to the screen in the same relative position," the Professor said. "Makes it much easier to cross-reference and tabulate the data."

Clyde, sitting in the chair by the screen showing the image of the King's stone, put his hand up in a mocking immitation of being in class. "Mr. Thicky over here has noticed something, too, actually."

"Something random?" Sarah Jane asked.

"Quite the opposite. Come over here!"

"So?" Maria said.

"Yes?" Luke asked. "What have you noticed?"

"Can't you see?"

"Course we can," Maria told him. "That's why we're asking."

"Look!" Clyde pointed at the screen on the other side of the room. "What do you see?"

"Screens," the Professor said, "in the same relative positions as the sentry stones. Forgive me, young man, but we know that."

Clyde swung annoyingly in his chair with an even more annoying smirk plastered across his face. "Those screens- they're all in the same positions as the stones, yeah?"

"Yes," the Professor said patiently.

"Angled the same way?"

"Actually, they are. The workbench was built that way. It seemed to make sense."

"Makes more sense than you think!"

Luke frowned, looking around at the screens. "They're all facing this way."

"Oh, you've got it!" Clyde raised his hand for a high five. "See here," he explained, "you see each screen full-on, exactly angled this way."

"You mean those stones-" Sarah Jane began.

"-Are all looking at this one!" Clyde finished. He turned and patted the side of the screen behind him.

"Centuries of watching the King," Maria said. "Spooky."




{...Same disclaimer as before!}
wasbornrunning: (Luke (and SJ) worried)
"Ah, yes, the stone whisperers. Just a stone circle, really, wouldn't bother if it wasn't on the way. Except they've just got this new education centre, lottery grant or something."

"Wasn't it on the news?"

"Ah, yes. Terrific feat of architecture, sort of mini-millenium dome of the whole site with the circle is in the middle. Then there are lecture rooms and so on off to the sides and lots of interactive stuff. Should keep this lot quiet for a bit. You never know, they might even learn something."

---

It was a strange, twilight world in the dome. It was bright and sunny outside, now that the showers had stopped, but inside there were no windows, just puddles of light and one large splash from a massive skylight in the middle of the dome which illuminated the dozen standing stones. They weren't a circle at all, but rather a semicircle, and you couldn't get close enough to touch them because the area was cordoned off behind a waist-high railing.

Luke and Maria were at the far side of the dome, in a small area set back from the circular walkway around the stones. They were peering into an open area; there was a sign above the doorway: the King's Stone. There was a single standing stone in the area, tall and proud and encrusted with moss.

"It's just another stone," Maria said.

"Maybe it used to be in the circle," Sarah Jane said.

"It isn't a circle," Luke pointed out without turning around.

"But maybe it used to be and some of the stones got moved."

"What for?" he asked.

"Well, I don't know," Sarah Jane said. "Perhaps people took half the stones away or moved them, centuries ago. Used them for building materials or something. That's possible, isn't it?"

The stone standing alone in the semi-darkness was over two meters high, hewn from a pale, rock-like granite. There were speckles of quartz imbedded in the surface, glittering as they caught the light.

"Oh, wait a minute," Sarah Jane said sharply. "It's glowing!"

Maria sighed. "It's a slight, natural phosphorescence, that's why the lights are turned down so low in here, so you can see it. Tells you all about it on the side. Look."

"'A natural effect caused by the composition of the rock,'" she read. "Well, that doesn't tell you anything. And why is it called the King's Stone?"

...

"The stone were once knights who defeated a tyrant king in battle. The king tried to escape, but the knights chased him and cornered him here."

"Then they turned into stone?"

"It's just a story. Apparently, the knights knew the only way to keep the king prisoner and stop his evil reign was to invoke a powerful magic that turned him to stone. Then, to keep him in his prison, the knights also turned to stone, holding him forever as a prisoner by their power.

"It's a load of old nonsense, of course."




{The above has been snipped and adjusted for third person narrative, but is still essentially Justin Richards'.}
wasbornrunning: (Default)
What is that strange and unusual creature, you ask?

Why, it's Princess Hollifalump (Holli for short)!

Princess Holli is pretty much the lovechild of every animal the mun could think of at the time of writing. She has:

A cattish sort of tail and (white) fur.

Small, furry wings she may or may not be able to fly with.

Rabbit-y hind feet. And nose.

Doggish front paws.

Mouse ears.

And bleats almost, but not quite, entirely unlike a sheep. She also has been known to hunk rather like a duck when surprised.

She's vaguely vegetarian at this time, having eaten only plants and Allana's crackers and attempted to eat Luke's pencil. Funtimes, funtimes. EDIT: She has also developed a culinary interest in napkins and shoes. Nom nom nom.


This are a past in progress, excuse our mess and please do not tread on the periods.
wasbornrunning: (Default)
Luke, upon entering Milliways with a book on a complicated subject that the narration will handwave at this time, orders himself a snack and settles on the couch for some, ahem, 'light' reading.

OOC!

Jan. 31st, 2008 01:19 pm
wasbornrunning: (satisfied smile)
Remember those mad vidding skillz?

Still got 'em.

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